Goodreads: Spellbinder
Series: Spellbinder #1
Published: 2009
Source: Purchased
Summary: The gift to see ghosts runs in
twelve-year-old Belladonna Johnson’s family, but she never appreciated it until
the day the ghosts disappear. Knowing
only that she has to find someone called the Spellbinder, Belladonna and her
friend Steve will travel to the Other World and face down a formidable foe in
the hopes of preventing the spirits of the dead from vanishing forever.
Review: Armed with a unique premise and a
sympathetic heroine, Stringer presents an adventure sure to keep readers flipping
pages long after bedtime. A generous helping of cryptic messages and secret explorations keeps the plot moving along while references to myth and history give the story a enough to ground it in the real world. Stringer makes it seem quite plausible that readers can encounter dragons and their treasure on the corner, or a passageway to another world in an old, forgotten building.
The subject of the story may initially seem macabre, but the book
manages to present seeing ghosts as quite a normal event. Belladonna interacts with them as she would
living people, treating them with respect and developing friendships with them. Her gift proves especially useful as she can
interact with her parents, victims of a fatal car crash. Readers who dislike scary stories (such as
myself) or who feel uncomfortable spending time with books that have an
unhealthy fascination with death should therefore not fear to pick up
Spellbinder. Talking with ghosts proves
simply a springboard for an otherwise not untypical fantasy adventure.
Though readers will recognize elements of standard
fantasy plots—an ancient evil awakened, an alchemist with more to him than
meets the eye—Stringer adds enough action and mystery to keep the story moving
along. The main characters, Belladonna
and Steve, also help as their normality makes them relatable and their
intelligence and good humor makes them likeable.
The other characters, unfortunately, could use a little
more originality. The majority of the
book seems populated by women, most of them strong personalities who command
respect through their coldness or severity.
For awhile, it seemed as if I were reading about various projections of
the same character. Belladonna proves
that females can be strong without trying to be intimidating or without
adopting a sarcastic attitude; why don’t more of the adult characters follow
her lead?
The lack of diversified femininity was the one flaw that
stuck out to while reading. Otherwise, I
found myself completely engrossed by the mystery and magic of Spellbinder. It ends conclusively enough that I will feel
satisfied if I never find the sequel; however, I would like to enter Belladonna’s
unique world sometime again.